The editors gratefully acknowledge the contribution of The Japan Foundation, Sydney to this issue of Performance Paradigm
Performance Paradigm, Number 2 (March 2006) JAPAN AFTER THE 1960S: THE ENDS OF THE AVANT-GARDE.
ISSN 1832-5580
Edited by Peter Eckersall
Articles
Introduction: Japan after the 1960s: the ends of the avant-garde
Peter Eckersall and Edward Scheer
On Vernacular Theatre
Satô Makoto, translated by Yuji Sone
Performances of Masculinity in Angura Theatre: Suzuki Tadashi on the Actress and Satô Makoto’s Abe Sada’s Dogs
Yasuko Ikeuchi
Bursting Bodies of Thought: Artaud and Hijikata
Michael Hornblow
Ghosts of Premodernity: Butoh and the Avant-Garde
Shannon C. Moore
Dancing the Elemental Body: Butoh and Body Weather: Interviews with Tanaka Min and Yumi Umiumare
Jonathan Marshall
Translation, Hybridity, and ‘The Real Thing’: Don Kenny’s English Kyôgen
Lisa Kuly
The Spectacle of Woman in Japanese Underground Theatre Posters
Vera Mackie
Off Museum! Performance Art That Turned the Street
Midori Yoshimoto
Ruins of the Future: Yanobe Kenji Revisits Expo ‘70
Gunhild Borggreen
Mapping/Zapping ‘J’ Theatre At The Moment
UCHINO, Tadashi
Book Reviews
Unspeakable Acts: The Avant-Garde Theatre of Terayama Shûji and Postwar Japan, Carol Fisher Sorgenfrei
M. Cody Poulton
Into Performance: Japanese Women Artists in New York, Midori Yoshimoto
Mika Eglinton