Performance Paradigm

Performance Paradigm 5.2 (October 2009) After Effects: Performing the Ends of Memory

ISSN 1832-5580

Edited by Bryoni Trezise and Caroline Wake

Articles

After Effects: Performing the Ends of Memory. An Introduction to Volume II
Bryoni Trezise

Embodied Spaces of Nation: Performing the National Trauma at Hellfire Pass
Chris Hudson

Coming to Terms with Trauma Tourism
Laurie Beth Clark

Disturbing the Sound of Silence: Towards the Thick Vision of the Long Soviet Silence
Maria Tumarkin

‘Did you mean post-traumatic theatre?’: The vicissitudes of traumatic memory in contemporary postdramatic performances
Karen Jürs-Munby

Ambivalent Bereavements: Embodying Loss in the Twenty-First Century
Bryoni Trezise

Interview

On the Ethics of Non-Disclosure: a Roundtable with Urban Theatre Projects and Collaborators
Bryoni Trezise and Caroline Wake

Book Reviews

Review of Performance Histories, Bonnie Marranca (New York: PAJ Publications, 2008).
Kate Rossmanith

Review of Victor Turner and Contemporary Cultural Performance. Graham St John (eds.), (New York & Oxford: Bergham Books, 2008).
Sandra D’Urso

The Scar of Visibility: Medical Performances and Contemporary Art, Petra Kuppers (University of Minnesota Press, 2007).
Erin Hefferon

Critical Theory and Performance, eds., Janelle G. Reinelt and Joseph R. Roach (Ann Arbor: University of Michigan Press, 2007)
Jane Goodall