Performance Paradigm 4 (May 2008) Emergences: 21st Century performance
ISSN 1832-5580
Edited by Helena Grehan and Peter Eckersall
Articles
Introduction – Performance and Critical Optimism
Peter Eckersall, Edward Scheer and Helena Grehan
Terrifying Grief
Sam Trubridge
Down and Under, Up and Over: Animalworks by Sun Yuan and Peng Yu
Meiling Cheng
Mapping Native Flora in NYC: The Chorography of Collaboration
Lise Brenner, Ulrich Lorimer & Katrina Simon
‘Leave No Trace’: The Art of Wasted Space– The People’s Republic of Stokes Croft
Pamela Karantonis
The More I Study Nature: Georgiana Molloy and the Code of Modernity
Angela Campbell
Optimism and Pessimism: Cynthia Hopkins Returns to the Stage as an Alien Mother
Beth Kurkjian
Becoming Human/Artist: Humans Moving in Accord with the Change that Makes the World
Elizabeth Ellsworth and Jamie Kruse
‘Mobility is our goal!’: challenging perceptions towards citizenship, migration and asylum seeking through performative interventions
Anja Kanngieser
The Augmented Theatre in Virtualised Society: See You in Walhalla
Eirini Nedelkopoulou
We Are Cells: BioArt, Semi-Livings, and Visceral Threat
Kate Rossmanith
‘Dragging’ Liveness in the Video Art of The Kingpins
Diana Smith
Embracing a Mediat[is]ed Modernity: An Approach to Exploring Humanity in Posthuman Music
Jeffrey M. Morris
Book Reviews
Another Asia: Rabindranath Tagore and Okakura Tenshin, Rustom Bharucha (New Delhi: Oxford University Press, 2006).
Mika Eglinton
“In Comes I”: Performance, Memory and Landscape, Mike Pearson
Ian Maxwell
Performance and Place, Leslie Hill and Helen Paris (New York: Palgrave Macmillan, 2006).
David Moody
The Male Dancer: Bodies, Spectacle, Sexualities, (Second Edition), Ramsay Burt (London and New York: Routledge, 2007).
Maggi Phillips