Performance Paradigm

Performance Paradigm promotes discussion among scholars, curators and practitioners of performance in the Asia-Pacific region and beyond. Founded in 2005, it is one of the field’s first open access, peer-reviewed journals.


Vol 14 Performance, Politics, and Non-Participation


Cover Page

Michele Lee and Tanya Dickson, The Naked Self (2016). Photo © Jody Haines. For a one-minute video about the performance, see Arts House vimeo.com/162482945

Click through for Performance Paradigm 14, which investigates the politics and performance of non-participation.

Edited by Caroline Wake and Emma Willis 

Articles: Lindsay Goss, Frazer Ward, Azadeh Sharifi, Nien Cheng, Asher Warren, Jesse Eggers, Mel Campbell and Lee Jordan.

Book Reviews: Paul Dwyer on William Peterson, Yuji Sone on Peter Eckersall, Helena Grehan and Edward Scheer, Hilary Halba on Ulrike Garde and Meg Mumford, Caroline Wake on Meredith Rogers, Gabriella Giannachi on Georgina Guy, Corey Wakeling on Sarah Grochala, Judith Miller on Lara Stevens' translation of Hélène Cixous, Jenn Stephenson on Elin Diamond, Denise Varney and Amich, Graham Mathwin on Hannah Mathews.