| Issue | Title | |
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Unspeakable Acts: The Avant-Garde Theatre of Terayama Shûji and Postwar Japan, Carol Fisher Sorgenfrei | Abstract PDF |
| M Cody Poulton | ||
| Vol 1 Live Ends: Performance in the Information Age | Vibrations in the Air: Performance and Interactive Technics | Abstract PDF |
| Andrew Murphie | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Visuality in the Theatre: The Locus of Looking, Maaike Bleeker (Basingstoke, Palgrave MacMillian, 2008) | Abstract PDF |
| Peta Tait | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Vulture and its … | Abstract PDF |
| Nikos Papastergiadis | ||
| Vol 11 Staging Real People | Wanna Play? Dries Verhoeven and the Limits of Non-Professional Performance | Abstract PDF |
| Michael Bachmann | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Watching Whoopi: The Ethics and Politics of the Ethics of Witnessing | Abstract PDF |
| Geraldine Harris | ||
| Vol 4 Emergences: 21st-Century Performance | We Are Cells: BioArt, Semi-Livings, and Visceral Threat | Abstract PDF |
| Kate Rossmanith | ||
| Vol 7 Images of Happiness | We are the fresh food people: The Supermarket as a performance of happiness | Abstract PDF |
| Edie Paterson | ||
| No 16 (2021): Performance and Radical Kindness | "We Know...": Collective Care in Participatory Arts | Abstract PDF |
| Sue Mayo | ||
| Vol 13 Performance, Choreography, and the Gallery | What Kind of Work Is This? Performance and Materialisms in the Gallery | Abstract PDF |
| Theron Schmidt | ||
| Vol 13 Performance, Choreography, and the Gallery | What What We Do Does | Abstract PDF |
| Rebecca Hilton | ||
| Vol 12 Performance, Technology, and Intimacy | William Yang: Stories of Love and Death by Helena Grehan and Edward Scheer (Sydney: NewSouth Publishing, 2016) | Abstract PDF |
| Teik-Kim Pok | ||
| Vol 13 Performance, Choreography, and the Gallery | Wine and Swish: Rebecca Ann Hobbs’ Dancevideos in the Mall | Abstract PDF |
| Victoria Wynne-Jones | ||
| No 16 (2021): Performance and Radical Kindness | Withness in kind | Abstract PDF |
| Lisa Samuels | ||
| Vol 14 Performance, Politics, and Non-Participation | You Are Invited Not to Attend: Answering the Call for a Cultural Boycott of the Shiraz Festival of the Arts | Abstract PDF |
| Lindsay Goss | ||
| Vol 5, No 2 After Effects: Performing the Ends of Memory | ‘Did you mean post-traumatic theatre?’: The vicissitudes of traumatic memory in contemporary postdramatic performances | Abstract PDF |
| Karen Jürs-Munby | ||
| Vol 4 Emergences: 21st-Century Performance | ‘Dragging’ Liveness in the Video Art of The Kingpins | Abstract PDF |
| Diana Smith | ||
| Vol 4 Emergences: 21st-Century Performance | ‘Leave No Trace’: The Art of Wasted Space– The People’s Republic of Stokes Croft | Abstract PDF |
| Pamela Karantonis | ||
| Vol 4 Emergences: 21st-Century Performance | ‘Mobility is our goal!’: challenging perceptions towards citizenship, migration and asylum seeking through performative interventions | Abstract PDF |
| Anja Kanngieser | ||
| Vol 10 Performances of Resistance, Resisting Performance | ‘The More Political We Are, the Better We Sell’: A Conversation about the Political Potential of Directing Classical Drama and the Nasty Traps of Today’s Cultural Industry | Abstract PDF |
| Thomas Ostermeier, Peter M. Boenisch | ||
| Vol 1 Live Ends: Performance in the Information Age | ‘What is Installation?’ (Sydney: Power Publications, 2003) Eds Adam Geczy and Benjamin Gennochio | Abstract PDF |
| Sam Spurr | ||
| Vol 7 Images of Happiness | “Gestures of happiness” in Sophie Calle’s Trilogy of Desire | Abstract PDF |
| Gabriella Calchi-Novati | ||
| Vol 15 Performing Southern Feminisms | “I am not a princess”: Navigating Mana Wahine in Disney’s Moana | Abstract PDF |
| Nicola Hyland | ||
| Vol 4 Emergences: 21st-Century Performance | “In Comes I”: Performance, Memory and Landscape, Mike Pearson | Abstract PDF |
| Ian Maxwell | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | “Is that a pistol in your pocket…?”: Corral Consciousness and the Performance of Enclosure and Concealment. | Abstract PDF |
| Misha Myers | ||
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