| Issue | Title | |
| Vol 10 Performances of Resistance, Resisting Performance | Sara Brady, Performance, Politics, and the War on Terror: “Whatever It Takes” (Basingstoke: Palgrave Macmillan, 2012) and Jenny Spencer, ed. Political and Protest Theatre after 9/11: Patriotic Dissent (London: Routledge, 2012) | Abstract PDF |
| Ian Maxwell | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Sentences from the Archive | Abstract PDF |
| Jen Webb | ||
| Vol 12 Performance, Technology, and Intimacy | Soft is Fast: Simone Forti in the 1960s and After by Meredith Morse (Cambridge, MA: MIT Press, 2016) | Abstract PDF |
| Erin Brannigan | ||
| No 16 (2021): Performance and Radical Kindness | Solidarity, now! Care, Collegiality, and Comprehending the Power Relations of "Academic Kindness" in the Neoliberal Academy | Abstract PDF |
| Sarah Burton | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | Stage Fright and Various Failures: A Conversation with Ho Tzu Nyen | Abstract PDF |
| Ho Tzu Nyen, He Zhiyuan | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Stage Presence, Jane Goodall (London: Routledge, 2008). | Abstract PDF |
| Veronica Kelly | ||
| Vol 13 Performance, Choreography, and the Gallery | Staging Queer Feminisms by Sarah French (London: Palgrave Macmillan, 2017) | Abstract PDF |
| Peta Tait | ||
| Vol 11 Staging Real People | Staging Wounded Soldiers: The Affects and Effects of Post-Traumatic Theatre | Abstract PDF |
| Ariane de Waal | ||
| No 16 (2021): Performance and Radical Kindness | Still Small: Contemplation in action | Abstract PDF |
| Erik Ehn | ||
| Vol 11 Staging Real People | Studying Disability Arts and Culture: An Introduction, by Petra Kuppers (Basingstoke: Palgrave Macmillan, 2014) | Abstract PDF |
| Natalie Lazaroo | ||
| No 18 (2023): The Art of Subsidy / The Subsidy of Art | Subsidy as Choreographic Act: Examining the establishment of a permanent national ballet company in Australia | Abstract PDF |
| Gareth Belling | ||
| Vol 13 Performance, Choreography, and the Gallery | Tactical Moves in Strategic Places: Performing Val, The Invisible in the MCA, Australia | Abstract PDF |
| Julie-Anne Long | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Tall Stories: On poetical and non poetical prose and rhythms in fieldwork notes, July 2003, Colombia | Abstract PDF |
| Michael Taussig | ||
| No 16 (2021): Performance and Radical Kindness | Tenderness Between Strangers: Intimate exchanges on banlieue wastelands | Abstract PDF |
| Sarah Harper | ||
| Vol 4 Emergences: 21st-Century Performance | Terrifying Grief | Abstract PDF |
| Sam Trubridge | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies | Abstract PDF |
| Caroline Wake | ||
| Vol 13 Performance, Choreography, and the Gallery | The Ambivalent Politics of One-to-One Performance | Abstract PDF |
| Caroline Wake | ||
| Vol 4 Emergences: 21st-Century Performance | The Augmented Theatre in Virtualised Society: See You in Walhalla | Abstract PDF |
| Eirini Nedelkopoulou | ||
| Vol 14 Performance, Politics, and Non-Participation | The Contemporary Political Play by Sarah Grochala (London: Bloomsbury, 2017) | Abstract PDF |
| Corey Wakeling | ||
| Vol 11 Staging Real People | The Corpse Corpses: Non-Professional Performers and Misperformance | Abstract PDF |
| Chris Hay | ||
| No 18 (2023): The Art of Subsidy / The Subsidy of Art | The Dramaturgy of Defunding: Developing a History of the Defunding of Australian Theatre Organisations from 1975 to 2023 | Abstract PDF |
| Kathryn Kelly, Tessa Rixon | ||
| Vol 14 Performance, Politics, and Non-Participation | The Heckler’s Promise | Abstract PDF |
| Mel Jordan, Lee Campbell | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | The Joys of Jon McK?$#&!: Reading McKenzie's Perform or Else After Laurie Anderson | Abstract PDF |
| Edward Scheer | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | The Making of Perform or Else | Abstract PDF |
| Tim Edkins, Jon McKenzie | ||
| Vol 4 Emergences: 21st-Century Performance | The Male Dancer: Bodies, Spectacle, Sexualities, (Second Edition), Ramsay Burt (London and New York: Routledge, 2007). | Abstract PDF |
| Maggi Phillips | ||
| 176 - 200 of 260 Items | << < 3 4 5 6 7 8 9 10 11 > >> | |