Browse Title Index


 
Issue Title
 
Vol 14 Performance, Politics, and Non-Participation Performance, Feminism and Affect in Neoliberal Times Edited by Elin Diamond, Denise Varney and Candice Amich (London: Palgrave Macmillan, 2017) Abstract   PDF
Jenn Stephenson
 
Vol 7 Images of Happiness Performance in Place of War by James Thompson, Jenny Hughes and Michael Balfour (Calcutta: Seagull Books, 2009) Abstract   PDF
Pip Rundle
 
Vol 3 The End of Ethics? Performance, Politics, and War Performance, Politicians, and War: Selling Iraq in the Culture War Abstract   PDF
David Williams
 
Vol 12 Performance, Technology, and Intimacy Performance, Technology, Intimacy Abstract   PDF
Caroline Wake
 
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde Performances of Masculinity in Angura Theatre: Suzuki Tadashi on the Actress and Satô Makoto’s Abe Sada’s Dogs Abstract   PDF
Yasuko Ikeuchi
 
Vol 12 Performance, Technology, and Intimacy Performing Feeling in Cultures of Memory by Bryoni Trezise (Basingstoke: Palgrave Macmillan, 2014) Abstract   PDF
Laurie Beth Clark
 
Vol 13 Performance, Choreography, and the Gallery Performing Formats: HYPERLANDS Abstract   PDF
Alice Heyward
 
Vol 1 Live Ends: Performance in the Information Age Performing In-Difference E-Interview Abstract   PDF
Edward Scheer, Stelarc .
 
Vol 11 Staging Real People Performing Site-Specific Theatre: Politics, Place, Practice, edited by Anna Birch and Joanne Tompkins (Basingstoke: Palgrave Macmillan, 2012) Abstract   PDF
Andrew Filmer
 
Vol 3 The End of Ethics? Performance, Politics, and War Performing War: ‘Military Theatre’ and the Possibilities of Resistance Abstract   PDF
Michael Balfour
 
Vol 14 Performance, Politics, and Non-Participation Places for Happiness: Community, Self, and Performance in the Philippines by William Peterson (Honolulu: University of Hawai’i Press, 2016) Abstract   PDF
Paul Dwyer
 
Vol 7 Images of Happiness Playing for Real: Actors on Playing Real People, edited By Tom Cantrell and Mary Luckhurst (UK: Palgrave Macmillan 2010) Abstract   PDF
Glen McGillivray
 
Vol 15 Performing Southern Feminisms Poethics of Queer Resurrection in Black South African Performance: I Stand Corrected and Somnyama Ngonyama Abstract   PDF
Aylwyn Walsh
 
Vol 14 Performance, Politics, and Non-Participation Politics, Ethics and Performance: Hélène Cixous and the Théâtre du Soleil Edited and Translated by Lara Stevens (Melbourne: re-press, 2016) Abstract   PDF
Judith Miller
 
Vol 14 Performance, Politics, and Non-Participation Politics, Performance, and Non-Participation Abstract   PDF
Caroline Wake, Emma Willis
 
Vol 3 The End of Ethics? Performance, Politics, and War Postdramatic Theatre, Hans-Thies Lehmann, trans. Karen Jürs-Munby Abstract   PDF
Denise Varney
 
Vol 11 Staging Real People Productive Contradictions in The House of Bernarda Alba TNT-El Vacie Version Abstract   PDF
Natália da Silva Perez
 
Vol 11 Staging Real People Putting Real People on Stage: Helgard Haug (Rimini Protokoll) in Conversation with Theatre Practitioners and Academics from Australia Abstract   PDF
Meg Mumford, John Severn
 
No 16 (2021): Performance and Radical Kindness Radical Kindness and Disability Identity on the Contemporary Spanish Stage Abstract   PDF
Elena García-Martín
 
Vol 9 Assembling Wonder Radical Visions 1968-2008: The Impact of the Sixties on Australian Drama, by Denise Varney | Review By Julian Meyrick Abstract   PDF
Julian Meyrick
 
Vol 10 Performances of Resistance, Resisting Performance Reflecting on Palestinian Theatre: A Resilient Theatre of Resistance Abstract   PDF
Samer Al-Saber, Yana Taylor
 
Vol 14 Performance, Politics, and Non-Participation Refusals, Disclaimers, and Denials: Cady Noland's Recent ”Work" Abstract   PDF
Frazer Ward
 
Vol 6 Interruptions: Letters to Jimmie Durham Review of Bertolt Brecht, Meg Mumford (London & New York: Routledge 2009) Abstract   PDF
Denise Varney
 
Vol 6 Interruptions: Letters to Jimmie Durham Review of Performance, Ethics, and Spectatorship in a Global Age, Helena Grehan (Palgrave MacMillan, 2009) Abstract   PDF
Una Chaudhuri
 
Vol 5, No 2 After Effects: Performing the Ends of Memory Review of Performance Histories, Bonnie Marranca (New York: PAJ Publications, 2008). Abstract   PDF
Kate Rossmanith
 
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