| Issue | Title | |
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | The Spectacle of Woman in Japanese Underground Theatre Posters | Abstract PDF |
| Vera Mackie | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | The ‘Nervous State’: A Conversation between Jimmie Durham and Mick Taussig | Abstract PDF |
| Jimmie Durham, Michael Taussig | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | The ‘Real’ World, Interdisciplinary Arts and the Community: An Interview with the Artistic Director of The Substation – A Home for the Arts | Abstract PDF |
| Noor Effendy Ibrahim, C. J. W.-L. Wee | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Theatre, ecological sanity, and finding Baz Kershaw | Abstract PDF |
| Paul Brown | ||
| Vol 14 Performance, Politics, and Non-Participation | Theatre, Exhibition, and Curation: Displayed and Performed by Georgina Guy (New York: Routledge, 2016) | Abstract PDF |
| Gabriella Giannachi | ||
| Vol 1 Live Ends: Performance in the Information Age | Theatre of Agencies: The LGB Story | Abstract PDF |
| Ray LanGenBach | ||
| Vol 14 Performance, Politics, and Non-Participation | Theatre of Real People: Diverse Encounters at Berlin’s Hebbel am Ufer and Beyond by Ulrike Garde and Meg Mumford (London: Bloomsbury, 2016) | Abstract PDF |
| Hilary Halba | ||
| Vol 11 Staging Real People | Theatre of the Real, by Carol Martin (Basingstoke: Palgrave Macmillan, 2013) | Abstract PDF |
| Caroline Wake | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Theatre of/or Truth | Abstract PDF |
| Maaike Bleeker | ||
| Vol 12 Performance, Technology, and Intimacy | Theatre/Data: Cate Blanchett’s Manifesto of Futurist Finance | Abstract PDF |
| Paul Rae | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | Theatrical Agencies and Performance Principles: MARSH (Materializing and Activating Radical Social Habitus) | Abstract PDF |
| Esther Neff | ||
| Vol 11 Staging Real People | Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others, by Emma Willis (Basingstoke: Palgrave Macmillan, 2014) | Abstract PDF |
| Lisa Fitzpatrick | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Theorising the Angura Space: avant-garde performance and politics in Japan 1960-2000, Peter Eckersall (Leiden, Brill Academic, 2006) | Abstract PDF |
| Michael Cohen | ||
| Vol 14 Performance, Politics, and Non-Participation | "This is my doodle": Non-Participation, Performance, and the Singapore Memory Project | Abstract PDF |
| Nien Cheng | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | THIS: Message in a Bottle to Jimmie Durham | Abstract PDF |
| Kim Satchell | ||
| Vol 13 Performance, Choreography, and the Gallery | Thoughts on Performing (inside a work / as a work / as work) at Newtown Library | Abstract PDF |
| Lizzie Thomson | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | To the Ends of the World | Abstract PDF |
| Emma Willis, Nien Yuan Cheng, Chris Hay | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Towards a Phenomenology of the Witness to Pain: Dis/Identification and the Orlanian Other | Abstract PDF |
| Christine Stoddard | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Tradition and Innovation: Dance Hakushu 2005. August twelfth through twenty-first, Body Weather Farm, Yamanashi, Japan. | Abstract PDF |
| Zack Fuller | ||
| Vol 9 Assembling Wonder | Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia, by Margaret Hamilton | Abstract PDF |
| Denise Varney | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Translation, Hybridity, and ‘The Real Thing’: Don Kenny’s English Kyôgen | Abstract PDF |
| Lisa Kuly | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Trauma, Antagonism and the Bodies of Others: A Dialogue on Delegated Performance | Abstract PDF |
| Claire Bishop, Julia Austin | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | Turn or Else | Abstract PDF |
| Goran Sergej Pristaš | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | Two-Trick Pony | Abstract PDF |
| Paul Rae, Kaylene Tan | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Unsettling Space: Contestations in Contemporary Australian Theatre, Joanne Tompkins | Abstract PDF |
| Gay McAuley | ||
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