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Issue |
Title |
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Vol 3 The End of Ethics? Performance, Politics, and War |
Postdramatic Theatre, Hans-Thies Lehmann, trans. Karen Jürs-Munby |
Abstract
PDF
|
Denise Varney |
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Vol 11 Staging Real People |
Productive Contradictions in The House of Bernarda Alba TNT-El Vacie Version |
Abstract
PDF
|
Natália da Silva Perez |
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Vol 11 Staging Real People |
Putting Real People on Stage: Helgard Haug (Rimini Protokoll) in Conversation with Theatre Practitioners and Academics from Australia |
Abstract
PDF
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Meg Mumford, John Severn |
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No 16 (2021): Performance and Radical Kindness |
Radical Kindness and Disability Identity on the Contemporary Spanish Stage |
Abstract
PDF
|
Elena García-Martín |
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Vol 9 Assembling Wonder |
Radical Visions 1968-2008: The Impact of the Sixties on Australian Drama, by Denise Varney | Review By Julian Meyrick |
Abstract
PDF
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Julian Meyrick |
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Vol 10 Performances of Resistance, Resisting Performance |
Reflecting on Palestinian Theatre: A Resilient Theatre of Resistance |
Abstract
PDF
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Samer Al-Saber, Yana Taylor |
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Vol 14 Performance, Politics, and Non-Participation |
Refusals, Disclaimers, and Denials: Cady Noland's Recent ”Work" |
Abstract
PDF
|
Frazer Ward |
|
Vol 6 Interruptions: Letters to Jimmie Durham |
Review of Bertolt Brecht, Meg Mumford (London & New York: Routledge 2009) |
Abstract
PDF
|
Denise Varney |
|
Vol 6 Interruptions: Letters to Jimmie Durham |
Review of Performance, Ethics, and Spectatorship in a Global Age, Helena Grehan (Palgrave MacMillan, 2009) |
Abstract
PDF
|
Una Chaudhuri |
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Vol 5, No 2 After Effects: Performing the Ends of Memory |
Review of Performance Histories, Bonnie Marranca (New York: PAJ Publications, 2008). |
Abstract
PDF
|
Kate Rossmanith |
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Vol 6 Interruptions: Letters to Jimmie Durham |
Review of Performative Realism: Interdisciplinary Studies in Art and Media, edited by Rune Gade and Anne Jerslev (Copenhagen: Museum of Tusculanum Press, 2005) |
Abstract
PDF
|
Anna Scheer |
|
Vol 6 Interruptions: Letters to Jimmie Durham |
Review of The Infinity Machine: Mike Parr’s Performance Art 1971-2005, Edward Scheer (Melbourne: Schwartz City Press 2009) Mike Parr: Performances 1971-2008, Mike Parr (Melbourne: Schwartz City Press 2008) |
Abstract
PDF
|
Adam Geczy |
|
Vol 6 Interruptions: Letters to Jimmie Durham |
Review of Theatre & series, edited by Jen Harvie and Dan Rebellato (Houndmills: Palgrave, 2009- ) |
Abstract
PDF
|
Bryoni Trezise |
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Vol 6 Interruptions: Letters to Jimmie Durham |
Review of To Watch Theatre. Essays on Genre and Corporeality, Rachel Fensham (Brussels, Bern, e.a.: PIE Peter Lang, 2009) |
Abstract
PDF
|
Laura Ginters |
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Vol 5, No 2 After Effects: Performing the Ends of Memory |
Review of Victor Turner and Contemporary Cultural Performance. Graham St John (eds.), (New York & Oxford: Bergham Books, 2008). |
Abstract
PDF
|
Sandra D’Urso |
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Vol 11 Staging Real People |
Rimini Protokoll and Bürgerbühne Theatre: Institutions, Challenges and Continuities |
Abstract
PDF
|
Jens Roselt |
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Vol 13 Performance, Choreography, and the Gallery |
River | Body | Walk: A Choreographic of Arrival |
Abstract
PDF
|
Rea Dennis |
|
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde |
Ruins of the Future: Yanobe Kenji Revisits Expo ‘70 |
Abstract
PDF
|
Gunhild Borggreen |
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Vol 3 The End of Ethics? Performance, Politics, and War |
Rupture in the Surface: Ethics of the Abject |
Abstract
PDF
|
Horit Herman Peled |
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Vol 10 Performances of Resistance, Resisting Performance |
Sara Brady, Performance, Politics, and the War on Terror: “Whatever It Takes” (Basingstoke: Palgrave Macmillan, 2012) and Jenny Spencer, ed. Political and Protest Theatre after 9/11: Patriotic Dissent (London: Routledge, 2012) |
Abstract
PDF
|
Ian Maxwell |
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Vol 5, No 1 After Effects: Performing the Ends of Memory |
Sentences from the Archive |
Abstract
PDF
|
Jen Webb |
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Vol 12 Performance, Technology, and Intimacy |
Soft is Fast: Simone Forti in the 1960s and After by Meredith Morse (Cambridge, MA: MIT Press, 2016) |
Abstract
PDF
|
Erin Brannigan |
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No 16 (2021): Performance and Radical Kindness |
Solidarity, now! Care, Collegiality, and Comprehending the Power Relations of "Academic Kindness" in the Neoliberal Academy |
Abstract
PDF
|
Sarah Burton |
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Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore |
Stage Fright and Various Failures: A Conversation with Ho Tzu Nyen |
Abstract
PDF
|
Ho Tzu Nyen, He Zhiyuan |
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Vol 5, No 1 After Effects: Performing the Ends of Memory |
Stage Presence, Jane Goodall (London: Routledge, 2008). |
Abstract
PDF
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Veronica Kelly |
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