| Issue | Title | |
| Vol 3 The End of Ethics? Performance, Politics, and War | Postdramatic Theatre, Hans-Thies Lehmann, trans. Karen Jürs-Munby | Abstract PDF |
| Denise Varney | ||
| Vol 11 Staging Real People | Productive Contradictions in The House of Bernarda Alba TNT-El Vacie Version | Abstract PDF |
| Natália da Silva Perez | ||
| Vol 11 Staging Real People | Putting Real People on Stage: Helgard Haug (Rimini Protokoll) in Conversation with Theatre Practitioners and Academics from Australia | Abstract PDF |
| Meg Mumford, John Severn | ||
| No 16 (2021): Performance and Radical Kindness | Radical Kindness and Disability Identity on the Contemporary Spanish Stage | Abstract PDF |
| Elena García-Martín | ||
| Vol 9 Assembling Wonder | Radical Visions 1968-2008: The Impact of the Sixties on Australian Drama, by Denise Varney | Review By Julian Meyrick | Abstract PDF |
| Julian Meyrick | ||
| Vol 10 Performances of Resistance, Resisting Performance | Reflecting on Palestinian Theatre: A Resilient Theatre of Resistance | Abstract PDF |
| Samer Al-Saber, Yana Taylor | ||
| Vol 14 Performance, Politics, and Non-Participation | Refusals, Disclaimers, and Denials: Cady Noland's Recent ”Work" | Abstract PDF |
| Frazer Ward | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Review of Bertolt Brecht, Meg Mumford (London & New York: Routledge 2009) | Abstract PDF |
| Denise Varney | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Review of Performance, Ethics, and Spectatorship in a Global Age, Helena Grehan (Palgrave MacMillan, 2009) | Abstract PDF |
| Una Chaudhuri | ||
| Vol 5, No 2 After Effects: Performing the Ends of Memory | Review of Performance Histories, Bonnie Marranca (New York: PAJ Publications, 2008). | Abstract PDF |
| Kate Rossmanith | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Review of Performative Realism: Interdisciplinary Studies in Art and Media, edited by Rune Gade and Anne Jerslev (Copenhagen: Museum of Tusculanum Press, 2005) | Abstract PDF |
| Anna Scheer | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Review of The Infinity Machine: Mike Parr’s Performance Art 1971-2005, Edward Scheer (Melbourne: Schwartz City Press 2009) Mike Parr: Performances 1971-2008, Mike Parr (Melbourne: Schwartz City Press 2008) | Abstract PDF |
| Adam Geczy | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Review of Theatre & series, edited by Jen Harvie and Dan Rebellato (Houndmills: Palgrave, 2009- ) | Abstract PDF |
| Bryoni Trezise | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | Review of To Watch Theatre. Essays on Genre and Corporeality, Rachel Fensham (Brussels, Bern, e.a.: PIE Peter Lang, 2009) | Abstract PDF |
| Laura Ginters | ||
| Vol 5, No 2 After Effects: Performing the Ends of Memory | Review of Victor Turner and Contemporary Cultural Performance. Graham St John (eds.), (New York & Oxford: Bergham Books, 2008). | Abstract PDF |
| Sandra D’Urso | ||
| Vol 11 Staging Real People | Rimini Protokoll and Bürgerbühne Theatre: Institutions, Challenges and Continuities | Abstract PDF |
| Jens Roselt | ||
| Vol 13 Performance, Choreography, and the Gallery | River | Body | Walk: A Choreographic of Arrival | Abstract PDF |
| Rea Dennis | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Ruins of the Future: Yanobe Kenji Revisits Expo ‘70 | Abstract PDF |
| Gunhild Borggreen | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Rupture in the Surface: Ethics of the Abject | Abstract PDF |
| Horit Herman Peled | ||
| Vol 10 Performances of Resistance, Resisting Performance | Sara Brady, Performance, Politics, and the War on Terror: “Whatever It Takes” (Basingstoke: Palgrave Macmillan, 2012) and Jenny Spencer, ed. Political and Protest Theatre after 9/11: Patriotic Dissent (London: Routledge, 2012) | Abstract PDF |
| Ian Maxwell | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Sentences from the Archive | Abstract PDF |
| Jen Webb | ||
| Vol 12 Performance, Technology, and Intimacy | Soft is Fast: Simone Forti in the 1960s and After by Meredith Morse (Cambridge, MA: MIT Press, 2016) | Abstract PDF |
| Erin Brannigan | ||
| No 16 (2021): Performance and Radical Kindness | Solidarity, now! Care, Collegiality, and Comprehending the Power Relations of "Academic Kindness" in the Neoliberal Academy | Abstract PDF |
| Sarah Burton | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | Stage Fright and Various Failures: A Conversation with Ho Tzu Nyen | Abstract PDF |
| Ho Tzu Nyen, He Zhiyuan | ||
| Vol 5, No 1 After Effects: Performing the Ends of Memory | Stage Presence, Jane Goodall (London: Routledge, 2008). | Abstract PDF |
| Veronica Kelly | ||
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