Browse Title Index


 
Issue Title
 
Vol 3 The End of Ethics? Performance, Politics, and War Postdramatic Theatre, Hans-Thies Lehmann, trans. Karen Jürs-Munby Abstract   PDF
Denise Varney
 
Vol 11 Staging Real People Productive Contradictions in The House of Bernarda Alba TNT-El Vacie Version Abstract   PDF
Natália da Silva Perez
 
Vol 11 Staging Real People Putting Real People on Stage: Helgard Haug (Rimini Protokoll) in Conversation with Theatre Practitioners and Academics from Australia Abstract   PDF
Meg Mumford, John Severn
 
No 16 (2021): Performance and Radical Kindness Radical Kindness and Disability Identity on the Contemporary Spanish Stage Abstract   PDF
Elena García-Martín
 
Vol 9 Assembling Wonder Radical Visions 1968-2008: The Impact of the Sixties on Australian Drama, by Denise Varney | Review By Julian Meyrick Abstract   PDF
Julian Meyrick
 
Vol 10 Performances of Resistance, Resisting Performance Reflecting on Palestinian Theatre: A Resilient Theatre of Resistance Abstract   PDF
Samer Al-Saber, Yana Taylor
 
Vol 14 Performance, Politics, and Non-Participation Refusals, Disclaimers, and Denials: Cady Noland's Recent ”Work" Abstract   PDF
Frazer Ward
 
Vol 6 Interruptions: Letters to Jimmie Durham Review of Bertolt Brecht, Meg Mumford (London & New York: Routledge 2009) Abstract   PDF
Denise Varney
 
Vol 6 Interruptions: Letters to Jimmie Durham Review of Performance, Ethics, and Spectatorship in a Global Age, Helena Grehan (Palgrave MacMillan, 2009) Abstract   PDF
Una Chaudhuri
 
Vol 5, No 2 After Effects: Performing the Ends of Memory Review of Performance Histories, Bonnie Marranca (New York: PAJ Publications, 2008). Abstract   PDF
Kate Rossmanith
 
Vol 6 Interruptions: Letters to Jimmie Durham Review of Performative Realism: Interdisciplinary Studies in Art and Media, edited by Rune Gade and Anne Jerslev (Copenhagen: Museum of Tusculanum Press, 2005) Abstract   PDF
Anna Scheer
 
Vol 6 Interruptions: Letters to Jimmie Durham Review of The Infinity Machine: Mike Parr’s Performance Art 1971-2005, Edward Scheer (Melbourne: Schwartz City Press 2009) Mike Parr: Performances 1971-2008, Mike Parr (Melbourne: Schwartz City Press 2008) Abstract   PDF
Adam Geczy
 
Vol 6 Interruptions: Letters to Jimmie Durham Review of Theatre & series, edited by Jen Harvie and Dan Rebellato (Houndmills: Palgrave, 2009- ) Abstract   PDF
Bryoni Trezise
 
Vol 6 Interruptions: Letters to Jimmie Durham Review of To Watch Theatre. Essays on Genre and Corporeality, Rachel Fensham (Brussels, Bern, e.a.: PIE Peter Lang, 2009) Abstract   PDF
Laura Ginters
 
Vol 5, No 2 After Effects: Performing the Ends of Memory Review of Victor Turner and Contemporary Cultural Performance. Graham St John (eds.), (New York & Oxford: Bergham Books, 2008). Abstract   PDF
Sandra D’Urso
 
Vol 11 Staging Real People Rimini Protokoll and Bürgerbühne Theatre: Institutions, Challenges and Continuities Abstract   PDF
Jens Roselt
 
Vol 13 Performance, Choreography, and the Gallery River | Body | Walk: A Choreographic of Arrival Abstract   PDF
Rea Dennis
 
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde Ruins of the Future: Yanobe Kenji Revisits Expo ‘70 Abstract   PDF
Gunhild Borggreen
 
Vol 3 The End of Ethics? Performance, Politics, and War Rupture in the Surface: Ethics of the Abject Abstract   PDF
Horit Herman Peled
 
Vol 10 Performances of Resistance, Resisting Performance Sara Brady, Performance, Politics, and the War on Terror: “Whatever It Takes” (Basingstoke: Palgrave Macmillan, 2012) and Jenny Spencer, ed. Political and Protest Theatre after 9/11: Patriotic Dissent (London: Routledge, 2012) Abstract   PDF
Ian Maxwell
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Sentences from the Archive Abstract   PDF
Jen Webb
 
Vol 12 Performance, Technology, and Intimacy Soft is Fast: Simone Forti in the 1960s and After by Meredith Morse (Cambridge, MA: MIT Press, 2016) Abstract   PDF
Erin Brannigan
 
No 16 (2021): Performance and Radical Kindness Solidarity, now! Care, Collegiality, and Comprehending the Power Relations of "Academic Kindness" in the Neoliberal Academy Abstract   PDF
Sarah Burton
 
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore Stage Fright and Various Failures: A Conversation with Ho Tzu Nyen Abstract   PDF
Ho Tzu Nyen, He Zhiyuan
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Stage Presence, Jane Goodall (London: Routledge, 2008). Abstract   PDF
Veronica Kelly
 
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