| Issue | Title | |
| Vol 11 Staging Real People | Introduction: Staging Real People: On the Arts and Effects of Non-Professional Theatre Performers | Abstract PDF |
| Meg Mumford, Ulrike Garde | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Introduction: The End of Ethics? | Abstract PDF |
| Edward Scheer | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Is There a Gene Responsible for Our Obsession with Perfection? Disability, Ethics and Responsibility | Abstract PDF |
| Lalita McHenry | ||
| Vol 10 Performances of Resistance, Resisting Performance | Janez Janša: Acts of Politicisation By Means of Art | Abstract PDF |
| Konstantina Georgelou | ||
| Vol 4 Emergences: 21st-Century Performance | Judie Christie, Richard Gough, Daniel Watt (eds.), A Performance Cosmology: Testimony from the Future, Evidence of the Past. London & New York: Routledge, published for the Centre for Performance Research, 2006. | Abstract PDF |
| Peter Eckersall | ||
| Vol 12 Performance, Technology, and Intimacy | Kimospheres, or Shamans in the Blind Country | Abstract PDF |
| Johannes Birringer | ||
| Vol 7 Images of Happiness | Landings: Moth Stories | Abstract PDF |
| Petra Kuppers | ||
| Vol 13 Performance, Choreography, and the Gallery | Likely Terpsichore?: Dancing in the Museum of Ancient History and Archaeology | Abstract PDF |
| Marie-Louise Crawley | ||
| Vol 7 Images of Happiness | Little Pleasures, Deep Happiness: Making and Letting-Be | Abstract PDF |
| Jeff Stewart | ||
| Vol 9 Assembling Wonder | Little Public Spheres | Abstract PDF |
| Anna Hickey-Moody | ||
| Vol 1 Live Ends: Performance in the Information Age | Live Ends: Performance in the Information Age | Abstract PDF |
| Peter Eckersall, Ed Scheer | ||
| Vol 12 Performance, Technology, and Intimacy | Love and Information: Ethical Spectatorship, Freedom, and the Limits of Time | Abstract PDF |
| Helena Grehan | ||
| Vol 11 Staging Real People | Love Songs and Awkwardness: Non-Professional Performers and Affective Labour | Abstract PDF |
| Eleanor Massie | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Making Theatre in Northern Ireland: Through and Beyond the Troubles, Tom Maguire | Abstract PDF |
| Rebecca Pelan | ||
| Vol 4 Emergences: 21st-Century Performance | Mapping Native Flora in NYC: The Chorography of Collaboration | Abstract PDF |
| Lise Brenner, Ulrich Lorimer, Katrina Simon | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Mapping/Zapping ‘J’ Theatre At The Moment | Abstract PDF |
| Tadashi UCHINO | ||
| Vol 15 Performing Southern Feminisms | Messy, Feminist, Subversive, Uncertain: Three Snapshots of Collaborative Practice | Abstract PDF |
| Nisha Madhan, Julia Croft | ||
| Vol 10 Performances of Resistance, Resisting Performance | Michael Balfour, ed. Refugee Performance: Practical Encounters (Bristol: Intellect, 2013) | Abstract PDF |
| Caroline Wake | ||
| No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World | Mise en abyme: A Tour of Jon McKenzie's Thought-action | Abstract PDF |
| Nien Yuan Cheng, Chris Hay, Emma Willis, Jon McKenzie | ||
| Vol 9 Assembling Wonder | Multimedia Performance, by Rosemary Klich and Edward Scheer | Review By Yuji Sone | Abstract PDF |
| Yuji Sone | ||
| Vol 10 Performances of Resistance, Resisting Performance | Networks of Resistance: Connecting Stage, Street and Social Media in Tony Kushner’s Only We Who Guard The Mystery Shall Be Unhappy | Abstract PDF |
| Lara Stevens | ||
| Vol 14 Performance, Politics, and Non-Participation | New Media Dramaturgy: Performance, Media, and New Materialism by Peter Eckersall, Helena Grehan, and Edward Scheer (London: Palgrave Macmillan, 2017) | Abstract PDF |
| Yuji Sone | ||
| Vol 13 Performance, Choreography, and the Gallery | Noa Eshkol in the Sydney Biennale: A Translation | Abstract PDF |
| Sally Gardner | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Off Museum! Performance Art That Turned the Street | Abstract PDF |
| Midori Yoshimoto | ||
| Vol 5, No 2 After Effects: Performing the Ends of Memory | On the Ethics of Non-Disclosure: a Roundtable with Urban Theatre Projects and Collaborators | Abstract PDF |
| Tim Carroll, Roslyn Oades, Alicia Talbot, Bryoni Trezise, Caroline Wake | ||
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