| Issue | Title | |
| Vol 15 Performing Southern Feminisms | Editorial: Performing Southern Feminisms | Abstract PDF |
| Emma Willis, Justine Shih Pearson, Caroline Wake | ||
| No 18 (2023): The Art of Subsidy / The Subsidy of Art | Editorial: The Art of Subsidy / The Subsidy of Art | Abstract PDF |
| Chris Hay, Izabella Nantsou, Lawrence Ashford | ||
| Vol 1 Live Ends: Performance in the Information Age | Elements of ‘Interactive Drama’: Behind the Virtual Curtain of Jupiter Green | Abstract PDF |
| Christy Dena | ||
| No 19 (2024): Moving South: The Reconceptualisation of Dance Research in the 2020s | Embedded Dancer: A Model for Regional Dance Practice Survival in the Context of Crisis | Abstract PDF |
| Susannah Keebler | ||
| Vol 5, No 2 After Effects: Performing the Ends of Memory | Embodied Spaces of Nation: Performing the National Trauma at Hellfire Pass | Abstract PDF |
| Chris Hudson | ||
| No 19 (2024): Moving South: The Reconceptualisation of Dance Research in the 2020s | Embodying an Ecological Condition: A Dance Practice Approach to Sensing Multiplicity | Abstract PDF |
| Rhiannon Newton | ||
| Vol 4 Emergences: 21st-Century Performance | Embracing a Mediat[is]ed Modernity: An Approach to Exploring Humanity in Posthuman Music | Abstract PDF |
| Jeffrey M. Morris | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | Engaging Performance: Theatre as Call and Response, by Jan Cohen-Cruz (London and New York: Routledge, 2010) | Abstract PDF |
| Rebecca Caines | ||
| Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore | Entangled: Technology and the Transformation of Performance, by Chris Salter (Cambridge, Mass. and London: The MIT Press, 2010) | Abstract PDF |
| Yuji Sone | ||
| Vol 3 The End of Ethics? Performance, Politics, and War | Envisioning Ethics Anew | Abstract PDF |
| Rustom Bharucha | ||
| No 16 (2021): Performance and Radical Kindness | Escape Velocity Walks the City: Kindness and intimacy in public space in the transgender and gender diverse teen experience | Abstract PDF |
| Renée Newman | ||
| Vol 10 Performances of Resistance, Resisting Performance | e-Smoker’s Theatre, or, Modern Drama for Vapers | Paul Rae | Abstract PDF |
| Paul Rae | ||
| Vol 10 Performances of Resistance, Resisting Performance | Everyday Resistance | Susan Bennett | Abstract PDF |
| Susan Bennett | ||
| Vol 15 Performing Southern Feminisms | Expanding Networks of Care: The Humanitarian Storytelling of Olivia Rousset | Abstract PDF |
| Helena Grehan, Olivia Rousset | ||
| Vol 13 Performance, Choreography, and the Gallery | Feminism in the Archives and the Archive in Feminism: Propositions Gleaned from Alex Martinis Roe’s To Become Two | Abstract PDF |
| Amelia Wallin | ||
| Vol 15 Performing Southern Feminisms | Feminist Live Art in Aotearoa New Zealand: Bound and Unbound Tensions in the Work of Julia Croft, Virginia Frankovich, and Nisha Madhan | Abstract PDF |
| Hannah Joyce Banks | ||
| Vol 9 Assembling Wonder | Francesca Woodman: becoming-woman, becoming-imperceptible, becoming-a-subject-in-wonder | Abstract PDF |
| Lone Bertelsen | ||
| No 16 (2021): Performance and Radical Kindness | Gathering Through the Image: A Performative Kind of Kinship | Abstract PDF |
| Astrid N. Korporaal | ||
| Vol 15 Performing Southern Feminisms | Get Krack!n: Intersectional Comedy Goes Mainstream | Abstract PDF |
| Fiona Gregory | ||
| Vol 7 Images of Happiness | Get Real: Documentary Theatre Past and Present, ed. Alison Forsyth and Chris Megson (Basingstoke and New York: Palgrave Macmillan, 2009) and Dramaturgy of the Real on the World Stage, ed. Carol Martin (Basingstoke and New York: Palgrave Macmillan, 2010) | Abstract PDF |
| Caroline Wake | ||
| Vol 2 Japan After the 1960s: The Ends of the Avant-Garde | Ghosts of Premodernity: Butoh and the Avant-Garde | Abstract PDF |
| Shannon C Moore | ||
| Vol 10 Performances of Resistance, Resisting Performance | Glen McGillivray, ed. Scrapbooks, Snapshots and Memorabilia: Hidden Archives of Performance, edited by Glen McGillivray (Bern: Peter Lang, 2011) | Abstract PDF |
| Liza-Mare Syron | ||
| Vol 1 Live Ends: Performance in the Information Age | Hacktivism and Machinic Performance | Abstract PDF |
| Jon McKenzie | ||
| Vol 7 Images of Happiness | Happiness as a Quality of Dramatic Performance - the Chubbuck Technique: Struggle, Conflict, and Stasis | Abstract PDF |
| Nicholas Hope | ||
| Vol 13 Performance, Choreography, and the Gallery | Here, An Echo (2015–16) | Abstract PDF |
| Agatha Gothe-Snape, Brooke Stamp | ||
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