Browse Title Index


 
Issue Title
 
Vol 15 Performing Southern Feminisms Feminist Live Art in Aotearoa New Zealand: Bound and Unbound Tensions in the Work of Julia Croft, Virginia Frankovich, and Nisha Madhan Abstract   PDF
Hannah Joyce Banks
 
Vol 9 Assembling Wonder Francesca Woodman: becoming-woman, becoming-imperceptible, becoming-a-subject-in-wonder Abstract   PDF
Lone Bertelsen
 
No 16 (2021): Performance and Radical Kindness Gathering Through the Image: A Performative Kind of Kinship Abstract   PDF
Astrid N. Korporaal
 
Vol 15 Performing Southern Feminisms Get Krack!n: Intersectional Comedy Goes Mainstream Abstract   PDF
Fiona Gregory
 
Vol 7 Images of Happiness Get Real: Documentary Theatre Past and Present, ed. Alison Forsyth and Chris Megson (Basingstoke and New York: Palgrave Macmillan, 2009) and Dramaturgy of the Real on the World Stage, ed. Carol Martin (Basingstoke and New York: Palgrave Macmillan, 2010) Abstract   PDF
Caroline Wake
 
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde Ghosts of Premodernity: Butoh and the Avant-Garde Abstract   PDF
Shannon C Moore
 
Vol 10 Performances of Resistance, Resisting Performance Glen McGillivray, ed. Scrapbooks, Snapshots and Memorabilia: Hidden Archives of Performance, edited by Glen McGillivray (Bern: Peter Lang, 2011) Abstract   PDF
Liza-Mare Syron
 
Vol 1 Live Ends: Performance in the Information Age Hacktivism and Machinic Performance Abstract   PDF
Jon McKenzie
 
Vol 7 Images of Happiness Happiness as a Quality of Dramatic Performance - the Chubbuck Technique: Struggle, Conflict, and Stasis Abstract   PDF
Nicholas Hope
 
Vol 13 Performance, Choreography, and the Gallery Here, An Echo (2015–16) Abstract   PDF
Agatha Gothe-Snape, Brooke Stamp
 
No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World How Artificial Intelligence Can Shape Choreography: The Significance of Techno-Performance Abstract   PDF
Shuntaro Yoshida, Natsumi Fukasawa
 
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore I am an Artist because I am an Artist… Abstract   PDF
Zizi Azah
 
Vol 6 Interruptions: Letters to Jimmie Durham I had a Dream in Tropical Islands Resort in Berlin. Was it real? Abstract   PDF
Stephen Muecke
 
Vol 3 The End of Ethics? Performance, Politics, and War I La Galigo. Directed by Robert Wilson. State Theatre, Melbourne International Arts Festival, 19 – 23 October 2006. Abstract   PDF
Margaret Hamilton
 
No 16 (2021): Performance and Radical Kindness Ibsen’s Phenomenology of Kindness and its Failure in The Wild Duck Abstract   PDF
Daniel Johnston
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Identity Politics of Mobility: Kara Walker and Berni Searle Abstract   PDF
Petra Kuppers
 
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde Into Performance: Japanese Women Artists in New York, Midori Yoshimoto (New Jersey and London: Rutgers University Press, 2005) Abstract   PDF
Mika Eglinton
 
Vol 7 Images of Happiness Introduction Abstract   PDF
Peter Eckersall, Helena Grehan, Edward Scheer
 
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore Introduction Abstract   PDF
C. J. W.-L. Wee
 
Vol 9 Assembling Wonder Introduction Abstract
Anna Hickey-Moody
 
Vol 5, No 1 After Effects: Performing the Ends of Memory Introduction to After Effects: Performing the Ends of Memory Abstract   PDF
Bryoni Trezise, Caroline Wake
 
Vol 6 Interruptions: Letters to Jimmie Durham Introduction to After Effects: Performing the Ends of Memory Abstract   PDF
Stephen Muecke
 
Vol 4 Emergences: 21st-Century Performance Introduction – Performance and Critical Optimism Abstract   PDF
Peter Eckersall, Edward Scheer, Helena Grehan
 
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde Introduction: Japan after the 1960s: The Ends of the Avant-Garde Abstract   PDF
Peter Eckersall, Edward Scheer
 
Vol 10 Performances of Resistance, Resisting Performance Introduction: Performances of Resistance/Resisting Performance Abstract   PDF
Helena Grehan
 
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