|
Issue |
Title |
|
Vol 15 Performing Southern Feminisms |
Feminist Live Art in Aotearoa New Zealand: Bound and Unbound Tensions in the Work of Julia Croft, Virginia Frankovich, and Nisha Madhan |
Abstract
PDF
|
Hannah Joyce Banks |
|
Vol 9 Assembling Wonder |
Francesca Woodman: becoming-woman, becoming-imperceptible, becoming-a-subject-in-wonder |
Abstract
PDF
|
Lone Bertelsen |
|
No 16 (2021): Performance and Radical Kindness |
Gathering Through the Image: A Performative Kind of Kinship |
Abstract
PDF
|
Astrid N. Korporaal |
|
Vol 15 Performing Southern Feminisms |
Get Krack!n: Intersectional Comedy Goes Mainstream |
Abstract
PDF
|
Fiona Gregory |
|
Vol 7 Images of Happiness |
Get Real: Documentary Theatre Past and Present, ed. Alison Forsyth and Chris Megson (Basingstoke and New York: Palgrave Macmillan, 2009) and Dramaturgy of the Real on the World Stage, ed. Carol Martin (Basingstoke and New York: Palgrave Macmillan, 2010) |
Abstract
PDF
|
Caroline Wake |
|
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde |
Ghosts of Premodernity: Butoh and the Avant-Garde |
Abstract
PDF
|
Shannon C Moore |
|
Vol 10 Performances of Resistance, Resisting Performance |
Glen McGillivray, ed. Scrapbooks, Snapshots and Memorabilia: Hidden Archives of Performance, edited by Glen McGillivray (Bern: Peter Lang, 2011) |
Abstract
PDF
|
Liza-Mare Syron |
|
Vol 1 Live Ends: Performance in the Information Age |
Hacktivism and Machinic Performance |
Abstract
PDF
|
Jon McKenzie |
|
Vol 7 Images of Happiness |
Happiness as a Quality of Dramatic Performance - the Chubbuck Technique: Struggle, Conflict, and Stasis |
Abstract
PDF
|
Nicholas Hope |
|
Vol 13 Performance, Choreography, and the Gallery |
Here, An Echo (2015–16) |
Abstract
PDF
|
Agatha Gothe-Snape, Brooke Stamp |
|
No 17 (2022): Perform or Else? Revisiting Jon McKenzie's Work in the Post-pandemic World |
How Artificial Intelligence Can Shape Choreography: The Significance of Techno-Performance |
Abstract
PDF
|
Shuntaro Yoshida, Natsumi Fukasawa |
|
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore |
I am an Artist because I am an Artist… |
Abstract
PDF
|
Zizi Azah |
|
Vol 6 Interruptions: Letters to Jimmie Durham |
I had a Dream in Tropical Islands Resort in Berlin. Was it real? |
Abstract
PDF
|
Stephen Muecke |
|
Vol 3 The End of Ethics? Performance, Politics, and War |
I La Galigo. Directed by Robert Wilson. State Theatre, Melbourne International Arts Festival, 19 – 23 October 2006. |
Abstract
PDF
|
Margaret Hamilton |
|
No 16 (2021): Performance and Radical Kindness |
Ibsen’s Phenomenology of Kindness and its Failure in The Wild Duck |
Abstract
PDF
|
Daniel Johnston |
|
Vol 5, No 1 After Effects: Performing the Ends of Memory |
Identity Politics of Mobility: Kara Walker and Berni Searle |
Abstract
PDF
|
Petra Kuppers |
|
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde |
Into Performance: Japanese Women Artists in New York, Midori Yoshimoto (New Jersey and London: Rutgers University Press, 2005) |
Abstract
PDF
|
Mika Eglinton |
|
Vol 7 Images of Happiness |
Introduction |
Abstract
PDF
|
Peter Eckersall, Helena Grehan, Edward Scheer |
|
Vol 8 Practising Contemporary Art in the Global City for the Arts, Singapore |
Introduction |
Abstract
PDF
|
C. J. W.-L. Wee |
|
Vol 9 Assembling Wonder |
Introduction |
Abstract
|
Anna Hickey-Moody |
|
Vol 5, No 1 After Effects: Performing the Ends of Memory |
Introduction to After Effects: Performing the Ends of Memory |
Abstract
PDF
|
Bryoni Trezise, Caroline Wake |
|
Vol 6 Interruptions: Letters to Jimmie Durham |
Introduction to After Effects: Performing the Ends of Memory |
Abstract
PDF
|
Stephen Muecke |
|
Vol 4 Emergences: 21st-Century Performance |
Introduction – Performance and Critical Optimism |
Abstract
PDF
|
Peter Eckersall, Edward Scheer, Helena Grehan |
|
Vol 2 Japan After the 1960s: The Ends of the Avant-Garde |
Introduction: Japan after the 1960s: The Ends of the Avant-Garde |
Abstract
PDF
|
Peter Eckersall, Edward Scheer |
|
Vol 10 Performances of Resistance, Resisting Performance |
Introduction: Performances of Resistance/Resisting Performance |
Abstract
PDF
|
Helena Grehan |
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