Browse Title Index


 
Issue Title
 
ISSUE 7 (JULY 2011) IMAGES OF HAPPINESS Landings: Moth Stories Abstract   PDF
Petra Kuppers
 
ISSUE 7 (JULY 2011) IMAGES OF HAPPINESS Little Pleasures, Deep Happiness: Making and Letting-Be Abstract   PDF
Jeff Stewart
 
ISSUE 9 (2013) ASSEMBLING WONDER Little Public Spheres Abstract   PDF
Anna Hickey-Moody
 
ISSUE 1 (2005) LIVE ENDS. PERFORMANCE IN THE INFORMATION AGE Live Ends. Performance in the Information Age - Introduction Abstract   PDF
Peter Ekersall, Ed Scheer
 
ISSUE 12 (2016) PERFORMANCE, TECHNOLOGY, INTIMACY Love and Information: Ethical Spectatorship, Freedom, and the Limits of Time Abstract   PDF
Helena Grehan
 
ISSUE 11 (2015) STAGING REAL PEOPLE: ON THE ARTS AND EFFECTS OF NON-PROFESSIONAL THEATRE PERFORMERS Love Songs and Awkwardness: Non-Professional Performers and Affective Labour Abstract   PDF
Eleanor Massie
 
ISSUE 3 (2007) THE END OF ETHICS? PERFORMANCE, POLITICS AND WAR Making Theatre in Northern Ireland: Through and Beyond the Troubles, Tom Maguire Abstract   PDF
Rebecca Pelan
 
ISSUE 4 (2008) EMERGENCES: 21ST CENTURY PERFORMANCE Mapping Native Flora in NYC: The Chorography of Collaboration Abstract   PDF
Lise Brenner, Ulrich Lorimer, Katrina Simon
 
Issue 2 (2006) JAPAN AFTER THE 1960S: THE ENDS OF THE AVANT-GARDE Mapping/Zapping ‘J’ Theatre At The Moment Abstract   PDF
Tadashi UCHINO
 
ISSUE 10 (2014) PERFORMANCES OF RESISTANCE/RESISTING PERFORMANCE Michael Balfour, ed. Refugee Performance: Practical Encounters (Bristol: Intellect, 2013) Abstract   PDF
Caroline Wake
 
ISSUE 9 (2013) ASSEMBLING WONDER Multimedia Performance, by Rosemary Klich and Edward Scheer | Review By Yuji Sone Abstract   PDF
Yuji Sone
 
ISSUE 10 (2014) PERFORMANCES OF RESISTANCE/RESISTING PERFORMANCE Networks of Resistance: Connecting Stage, Street and Social Media in Tony Kushner’s Only We Who Guard The Mystery Shall Be Unhappy Abstract   PDF
Lara Stevens
 
Issue 2 (2006) JAPAN AFTER THE 1960S: THE ENDS OF THE AVANT-GARDE Off Museum! Performance Art That Turned the Street Abstract   PDF
Midori Yoshimoto
 
ISSUE 5.2 (OCTOBER 2009) AFTER EFFECTS: PERFORMING THE ENDS OF MEMORY On the Ethics of Non-Disclosure: a Roundtable with Urban Theatre Projects and Collaborators Abstract   PDF
Bryoni Trezise, Caroline Wake
 
ISSUE 8 (2012) SPECIAL ISSUE, PRACTISING CONTEMPORARY ART IN THE GLOBAL CITY FOR THE ARTS, SINGAPORE On the Individualistic Artist and Collectives in Organising Art Events: An Interview with Lee Wen Abstract   PDF
Lee Wen, C. J. W.-L. Wee
 
ISSUE 6 (2010) SPECIAL ISSUE, 
INTERRUPTIONS: LETTERS TO JIMMIE DURHAM On the train again: apparitions across the Nullarbor (to the spirit, not to the letter of Jimmie Durham) Abstract   PDF
Hamish Morgan
 
Issue 2 (2006) JAPAN AFTER THE 1960S: THE ENDS OF THE AVANT-GARDE On Vernacular Theatre Abstract   PDF
Satô Makoto
 
ISSUE 4 (2008) EMERGENCES: 21ST CENTURY PERFORMANCE Optimism and Pessimism: Cynthia Hopkins Returns to the Stage as an Alien Mother Abstract   PDF
Beth Kurkjian
 
ISSUE 3 (2007) THE END OF ETHICS? PERFORMANCE, POLITICS AND WAR Pathologies of Hope Abstract   PDF
Baz Kershaw
 
ISSUE 4 (2008) EMERGENCES: 21ST CENTURY PERFORMANCE Performance and Place, Leslie Hill and Helen Paris (New York: Palgrave Macmillan, 2006). Abstract   PDF
David Moody
 
ISSUE 7 (JULY 2011) IMAGES OF HAPPINESS Performance in Place of War by James Thompson, Jenny Hughes and Michael Balfour (Calcutta: Seagull Books, 2009) Abstract   PDF
Pip Rundle
 
ISSUE 3 (2007) THE END OF ETHICS? PERFORMANCE, POLITICS AND WAR Performance, Politicians, and War: Selling Iraq in the culture war Abstract   PDF
David Williams
 
ISSUE 12 (2016) PERFORMANCE, TECHNOLOGY, INTIMACY Performance, Technology, Intimacy Abstract   PDF
Caroline Wake
 
Issue 2 (2006) JAPAN AFTER THE 1960S: THE ENDS OF THE AVANT-GARDE Performances of Masculinity in Angura Theatre: Suzuki Tadashi on the Actress and Satô Makoto’s Abe Sada’s Dogs Abstract   PDF
Yasuko Ikeuchi
 
ISSUE 12 (2016) PERFORMANCE, TECHNOLOGY, INTIMACY Performing Feeling in Cultures of Memory by Bryoni Trezise (Basingstoke: Palgrave Macmillan, 2014) Abstract   PDF
Laurie Beth Clark
 
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