| Issue | Title | |
| Vol 4 Emergences: 21st-Century Performance | ‘Dragging’ Liveness in the Video Art of The Kingpins | Abstract PDF |
| Diana Smith | ||
| Vol 4 Emergences: 21st-Century Performance | ‘Leave No Trace’: The Art of Wasted Space– The People’s Republic of Stokes Croft | Abstract PDF |
| Pamela Karantonis | ||
| Vol 4 Emergences: 21st-Century Performance | ‘Mobility is our goal!’: challenging perceptions towards citizenship, migration and asylum seeking through performative interventions | Abstract PDF |
| Anja Kanngieser | ||
| Vol 10 Performances of Resistance, Resisting Performance | ‘The More Political We Are, the Better We Sell’: A Conversation about the Political Potential of Directing Classical Drama and the Nasty Traps of Today’s Cultural Industry | Abstract PDF |
| Thomas Ostermeier, Peter M. Boenisch | ||
| Vol 1 Live Ends: Performance in the Information Age | ‘What is Installation?’ (Sydney: Power Publications, 2003) Eds Adam Geczy and Benjamin Gennochio | Abstract PDF |
| Sam Spurr | ||
| Vol 7 Images of Happiness | “Gestures of happiness” in Sophie Calle’s Trilogy of Desire | Abstract PDF |
| Gabriella Calchi-Novati | ||
| Vol 15 Performing Southern Feminisms | “I am not a princess”: Navigating Mana Wahine in Disney’s Moana | Abstract PDF |
| Nicola Hyland | ||
| Vol 4 Emergences: 21st-Century Performance | “In Comes I”: Performance, Memory and Landscape, Mike Pearson | Abstract PDF |
| Ian Maxwell | ||
| Vol 6 Interruptions: Letters to Jimmie Durham | “Is that a pistol in your pocket…?”: Corral Consciousness and the Performance of Enclosure and Concealment. | Abstract PDF |
| Misha Myers | ||
| Vol 14 Performance, Politics, and Non-Participation | “Wir wollten ein Zeichen setzen”: Performance and Protest by Minorities in German Theatre | Abstract PDF |
| Azadeh Sharifi | ||
| 251 - 260 of 260 Items | << < 6 7 8 9 10 11 | |